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Half of my studio is a laboratory.  Here I experiment and play.  I bring things in from the world, reconfigure them and reimagine them.

Before I begin a new series I take weeks or even months incubating an idea.

I might fill sketchbooks, but more often than not I will collect objects or reference material from which I might make drawings or collages.

I also collate a music play list.

Books, films and poems also enter the melting-pot.

Then one day, quite suddenly (and a surprise to me) I am ready to paint.

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One of dozens and dozens of sketchbooks
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